Choosing a Story Most professional writers I know have a surplus of ideas. Because of this they tend to think little of them. But choosing a good concept is, in many ways, the most important step of all, assuming you follow through on all the others.
Subscribe to our FREE email newsletter and download free character development worksheets! Have I got a movie for you! Even though I was an avid reader, I thought I was looking at a foreign document.
Over time, as I read more and more screenplays, I began to understand the ebb and flow, the rhyme and reason. It can get confusing. So, allow me to assuage your anxiety. Every paragraph of action lines should be 3 lines or less.
No Tom Clancys allowed! Entire scripts, as a rule, are like poems.
Every now and again, you can describe something that helps to round out a character, but keep it brief and rare. Character backstory and motivations will come to be understood through their actions and dialogue, as opposed to in the prose of the description.
As well, remember to keep everything in present tense. This keeps things moving — which is really the only name of the game. The best screenwriters keep their action description at two lines per paragraph throughout most of the script, while still describing a heck of a lot.
It roars through the body, blows back the hair and rattles the ears.
Huge fifteen inch guns. Ringed by fortified machine gun nests. A clear line-of-fire down the entire beach. Notice how the verbs paint a vivid picture. We can see the carnage in our heads, and all in very little time and page space.
Also notice how some of the sentences would be considered incomplete, or grammatically incorrect. This is how aspiring writers need to execute their script if they are to be taken seriously. If you can use an arresting verb in place of a ho-hum or standard one, DO IT.
And though this is an action script, yes, these ideals apply to all genres. White space is your total BFF, and the key to an easy read.
As long as you can balance action description that only tells us what we need to know with the dialogue, it will keep that speeding script on full throttle.
This is an example I encountered when reading a script recently: Have the character DO something. Movies are about the external, novels are about the internal. Remember the format, always.
An example of how this could have read: She angrily wipes away a tear before slamming the journal down on the table. This is more visually interesting and tells us much more about her internal feelings — all without dialogue. As opposed to a novel, where you have the time and ability to convey theme, characterization, plot, etc.
What your character DOES. And as we all know, what our character do matter far more than what they say. Clever dialogue is found in quick back and forth exchanges, not prose-y speeches. Think about one of the best screenwriters known for his dialogue — Aaron Sorkin.
Have you ever watched a scene from The West Wing? The characters talk in quick, snappy sentences.The Screenwriter's Workbook: Exercises and Step-by-Step Instructions for Creating a Successful Screenplay, Newly Revised and Updated [Syd Field] on leslutinsduphoenix.com *FREE* shipping on qualifying offers.
At last! The classic screenwriting workbook—now completely revised and updated—from the celebrated lecturer. Next post Increasing Your Odds of Selling a Spec Screenplay Part 2 Previous post The Odds of Selling a Spec Screenplay.
~ Step 1 ~ Stages of Writing a Novel. Writers often begin the novel development process by thinking about what their story needs: a main character/protagonist/hero, a solid theme, a riveting plot and, of course, to meet all the touch points of their genre.
~ Step 1 ~ Stages of Writing a Novel. Writers often begin the novel development process by thinking about what their story needs: a main character/protagonist/hero, a solid theme, a riveting plot and, of course, to meet all the touch points of their genre. Screenwriting, also called scriptwriting, is the art and craft of writing scripts for mass media such as feature films, television productions or video leslutinsduphoenix.com is often a freelance profession..
Screenwriters are responsible for researching the story, developing the narrative, writing the script, screenplay, dialogues and delivering it, in the required .
About Marilyn Horowitz. Marilyn Horowitz is an award-winning New York University professor, author, producer, and Manhattan-based writing consultant, who works with successful novelists, produced screenwriters, and award-winning filmmakers. She has a passion for helping novices get started. Since she has taught thousands of aspiring screenwriters to complete a feature length screenplay.