The following entry presents criticism on Dickens's novella A Christmas Carol A Christmas Carol is one of the most recognizable stories in English literature.
The Ghost of Christmas Past is a personification of memory. In order for Scrooge to grow as a human being, he must remember his past and learn both positive and negative lessons from it.
The light that shines from this Ghost's head symbolizes the "illumination" which can come from reflecting on one's past, and the cap which the Ghost wears symbolizes the ability each person has to extinguish the light of memory, if he or she chooses to do as Scrooge attempts to do at the end of Stave Two.
The Ghost of Christmas Present is a personification of generosity.
All the details of this figure's appearance-its large, exposed breast; its cornucopia-like torch; the abundance of food on which it rests in Scrooge's rooms-lead readers to conclude that this Ghost symbolizes generosity, which for Dickens is at the heart not only of Christmas but also of a truly human life.
A sprinkling of seasoning from the Ghost's torch enhances the flavor of meals and of relationships at Christmas. The Ghost stands for generosity not only of material goods, but also and especially of spirit; it alone, for example, protects the "children" Ignorance and Want, and warns Scrooge-and readers-that they must do so as well.
The Ghost of Christmas Yet to Come is a personification of the relentless march of time towards both a fixed and an unfixed end. Resembling nothing so much as traditional depictions of the Grim Reaper, this Ghost may be seen as symbolizing death, the common lot of all human beings; see Fred's comment on Stave One, that all people are "fellow-passengers to the grave.
Therefore, the Ghost's austerity and imposing manner symbolize the unstoppable passage of time. The Ghost does not engage in conversation or reflection; it simply leads Scrooge from scene to scene, pointing always forward with its outstretched hand.
Its stern presence warns readers that-as the saying goes-time waits for no one; should you wish to change your life, do so today. The fact that your life will end is fixed; the meaning that your life will have had is up to you. Music is another important metaphorical motif in the work-appropriate for a book whose title is A Christmas Carol!
Music can be seen as symbolizing the joy of Christmas and of life itself, which we have the power to either reject or accept.
Scrooge chases away a caroler at his door whose song is a plea for God's blessing upon Scrooge ; in contrast, other characters celebrate the season with music-from Fred and his family to the men in the solitary lighthouse-and so receive joy.A Christmas Carol, is an allegory that is delivering several message by using characters and scenes.
Dickens' ability to weave messages into the character's dialogue, attitude, and actions, makes this allegory a masterpiece. Charles Dickens essays examine the author known for his notable works such as A Christmas Carol, Oliver Twist, Great Expectations, and A Tale of Two Cities.
Charles Dickens research papers can be written about his life or about his many great works of literature. christmas Reclaiming 'A Christmas Carol' By Stephen Skelton The Entertainment Ministry.
leslutinsduphoenix.com – Stephen Skelton, author of the new book A Christmas Carol: Special Church Edition, thinks that among the red-nosed reindeer and talking snowmen of the season, Charles Dickens’ beloved Christmastime classic has been misplaced..
The new book features the entire novel along with . Dickens, like many Victorian authors, enjoyed writing in this genre as it was popular and allowed stories to go beyond normal human experience: A Christmas Carol is set in .
A Christmas Carol is a timeless classic created by Charles Dickens. He wished to strike a blow on behalf of the children abused in factories. The story will forever haunt our homes. This essay first appeared in the Dickens Quarterly (): mong "those devices of language and rhetoric that produce the characteristic ring of Dickens' style" (Stoehr, vii) one of the most obvious, even in his earliest writings, is the naming of names.