Calligraphy is widely practiced and revered in the East Asian civilizations that use or used Chinese characters. These include China, Japan, Korea, and to a lesser extent, Vietnam. Naturally finding applications in daily life, calligraphy still serves as a continuous link between the past and the present. Chinese calligraphy is considered supreme among the visual arts in China, and it also sets the standard by which Chinese painting is judged.
All documented early Vulcan writing was logographic. Like Chinese characters or Egyptian hieroglyphs of Terra, individual words were originally represented by discrete symbols.
This is the case for the ancestry of both of the two primary surviving traditions.
They can be thought of as iconographic—a front-end visual simplicity representing a rich, more complex history and meaning in the background.
However, while visually attuned to its ancient past, modern calligraphy used for the common transfer of information is largely reformed into a phoneme-based glyph system that is essentially alphabetic.
This is the case for both of the surviving traditions, which are called vanu-tanaf-kitaun ceremonial calligraphy and gotavlu-zukitan standard script. This article will focus on the more ornate ceremonial calligraphy, of which comparisons to Terran musical notation are often made.
Note that the name vanu-tanaf-kitaun references the act of doing calligraphy as a practice, while gotavlu-zukitan refers more to the figures of the script itself. The sample at the head of this article is the name vanu-tanaf-kitaun written in the calligraphic script.
Origins Vulcans take great pride in the origins and beauty of their orthographic traditions. Their systems have evolved over time to suit the needs of a highly logical and technologically sophisticated culture. This illustration compares the two primary writing traditions of ancient Vulcan.
Both examples are thousands of years old. The examples on the right are from the grandparent logograms that—with few modifications—are still used today for writing the language. However, as mentioned previously, the modern usage when applied to everyday texts is phonetic, not iconic.
Of course, there are still Vulcan scholars and calligraphers who are students of the ancient texts and who are skilled at both reading and writing the historic forms. And, these particular three words might easily be recognized by average Vulcans due to their legacy in everyday life.
Calligraphy that has much bone but slight flesh is called sinew-writing; that with much flesh but slight bone is called ink-pig. Calligraphy with much strength and rich in sinew is of sagelike quality; that with neither strength nor sinew is sick. Rewritable Water Writing Chinese Calligraphy Cloth Fabric with Brush Rack and Water Dish Quick Drying Fabric Cloth Paper for Beginners Practice Set (5 Items). Fulfillment by Amazon (FBA) is a service we offer sellers that lets them store their products in Amazon's fulfillment centers, and we directly pack, ship, and provide customer service for these products.
But, most ancient writing in this lefthand style vanu-tanaf-kitaun would be opaque to non-specialists. All Vulcans are familiar with the origins of the glyphs on the right because they have been recycled from logograms bikuv-kitaun into discrete letters nuhm for the modern script.
The historic words have become the letter names of the modern sounds of the script. This system will be covered in a separate article. There is also a third system in common use for informal handwriting.
It is considered purely utilitarian and rarely ever seen by non-Vulcans. It will also be addressed in a separate article.
Writing Direction Historically, Vulcan writing comes from purely vertical traditions. This is generally reflected in the letterforms themselves. However, in modern writing—influenced by modern logical standards—all Vulcan nuhm are positionally independent.
Texts can be written vertically right to left most traditional ; vertically left to right common in conjunction with Federation technology systems when blocks of text are involved ; horizontally left to right when words are mixed with FSE contexts ; horizontally right to left when mixed with scripts which are normally configured in that orientation.
Decorative contexts are the only scenarios in which it appears vertically bottom to top, or in other patterns—such as circles.C hinese calligraphy tattoos. Chinese calligraphy is respected in China and in the West. Many people choose Chinese writing tattoo for fashion and body decoration.
Vulcan calligraphy is an honored tradition dating back to the ancient past of the planet—preceding Surak by a thousand or more years. All documented early Vulcan writing was logographic.
Programs. Our Mandarin programs spark curiosity and enthusiasm to explore Mandarin and Chinese culture. Students develop strong Mandarin language skills whilst having fun, with our student-centred and play-based teaching methodology.
Welcome to our webstore!
The House of Rice Store is an extension of our Retail store established in ! Chinese calligraphy is a form of aesthetically pleasing writing (calligraphy), or, the artistic expression of human language in a tangible form.
This type of expression has been widely practiced in China and has been generally held in high esteem across East leslutinsduphoenix.com: 書藝. Enter a word or a phrase in chinese characters: You want to find a chinese word from english?
Go to our chinese dictionary then click on the picture before the chinese word. The chinese characters will be automatically send in this generator of chinese calligraphy model.