The First Confessor Series: In the time before the Confessors, when the world is a dark and dangerous place, where treason and treachery are the rule of the day, comes one heroic woman, Magda Searus, who has just lost her husband and her way in life. As Kahlan is my single most favorite female character from any series, you can understand why the idea of learning more about where the Mother Confessors originated was incredibly appealing to me.
She looked less a guru and more an attorney, which was fitting, because this segment was a deposition. Sitting opposite James Frey, the author of the best-selling ersatz biography A Million Little Pieces, Oprah took her guest to task with cool but wounded earnestness.
Oprah needled Frey with details of his deceit, and he haltingly obliged her probing. Oprah was angry and defensive, having been had, and Frey was truly, painfully exposed.
Such is the thrill of a genuine confession. Confession, once rooted in religious practice, has assumed a secular importance that can be difficult to describe. Certainly, confessional literature is everywhere: Public confession has become both self-forming and culture-forming: Although in some sense we know less about each other than ever, almost every piece of information we do learn is an act of intentional or performative disclosure.
Saint Augustine of Hippo, whose Confessions set the precedent for all the confessional literature to follow, explained in a sermon in CE that forgiveness of mortal sins requires confessing to another.
Yet not all confessions are intended to implicate the confessor. If religious confession performs the necessary work of healing the individual through communion with society, sometimes the confessor tries to perform the work of healing society through communion with herself.
The confessor, by holding up her own pathologies, can make herself into a kind of mirror that is meant to show others what they are.
Still, though it is often intended to heal, confession can wreak a particular kind of devastation on both the community and the confessor.
A confession creates a particular confidence, a kind of intimacy between speaker and listener that, for all its closeness, is actually a capacious cultural space. It is also a dangerous cultural space. The intimacy established in confession can be equally disorienting and disaffecting: As in most relationships, the closer one comes, the more danger she is in.
We desire to be intimate with one another, but can scarcely ever estimate the price. A Jolt of the Real InThomas De Quincey published Confessions of an English Opium-Eater, in which he records in luminous detail both the joys and terrors of addiction to laudanum.
The book was an instant hit. Although De Quincey seems at pains to depict the harms of opium use at much greater length than its benefits, his elaborate, winning prose evidently caught the public imagination in exactly the wrong way.
Bya short anonymous work, Advice to Opium-Eaters, appeared in an effort to deter those persuaded by De Quincey, however inadvertently, to try the drug.
His is one of many confessions gone bad, wherein the confessed sins neither brought him into harmony with the community nor improved it.
But these failed confessions, and the harm they create, are not simply cautionary tales: Their status as failed or destructive confessions at least reveals that the objective of the attempt at confession is usually to repair.
· Bestselling fantasy author Terry Goodkind is self-publishing his next novel, The First Confessor. The author has been releasing tidbits about the book via social media–he has shared links to two book trailers through Twitter and his Facebook page–and, on Tuesday, unveiled the title of the leslutinsduphoenix.com /terry-goodkind his-next-novel-the-first-confessor.
Terry Goodkind is an American novelist of epic fantasy.
He is the author of The Sword of Truth series. Goodkind has been credited with the ability to write large-scale epics and being able to create an intriguing leslutinsduphoenix.com://leslutinsduphoenix.com · Jack provides us with glimpses of the character’s backstory, but not every “incident” — which each dramatise a specific killing — has a novel or gripping payoff.
One suspects that this leslutinsduphoenix.com By nikihawkes • Posted in Book Reviews, Fantasy Books • Tagged book, book review, book reviews, books, fantasy, fantasy books, Terry Goodkind, the first confessor, the sword of truth 2 Post navigation.
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Sign in Your Account Sign in Your Account Try Prime Wish List Cart 0. Shop leslutinsduphoenix.com · Literati and Self-Re/presentation: Autobiographical Sensibility in the Eighteenth-Century Chinese Novel (review) Pin P. Wan China Review International, Volume 4, Number 1, Spring , pp.
it is the confessor-narratorwho wears the mask; in Huang it is the "others"leslutinsduphoenix.com